The best seats in the house.

Inside Grand Central Station. Thanks for the tour Amanda.

Inside of Grand Central Station.

Grand Central Station Terminal.

Chrysler Building.

The NYPD.

Amanda, Ben, and Darcey at the Chrysler building.

The New York Public Library.

Darcey loves her some pizza.

Darcey's favorite pizza place in New York City.

Go Amanda bet that drink. You know how to get a guy to

buy you a drink, Fishbowl style.

Fishbowl time. Go Amanda, that is how you get a guy to buy you a drink.

Dancing time.

Amanda and Ben, before the kiss.

Oh, Amanda and Ben's first kiss. She said she would do it and she did.

Yea and when I tried, no go.

Fish bowl, drink, drink, drink..

Brittney and Darcey, ohh how cute.

Darcey and her bartender friend.

Amanda and Darcey.

Darcey and Ben.

Drunk me and Amanda.

Darcey and her sailor. It was fleet week in New York. She was in heaven.

....Drink, Drink, Drink, Drink....

The table at the end of the night.

Darcey and a pig?

Times Square.

What a peaceful church in the middle of the New York Skyline.

The Trump Tower. We went inside and let me tell you, eww.

The Apple store that Ben really wanted to see, and we found it..

Could it get any better.

Ben sitting in central park watching the sailboats.

Inside the Met. This was the Egyptian Temple inside of the museum.

Central Park and the sailboats. How pritty.

The Alvar Alto Chair. I want it. This chair is called the Paimio Chair was devised to ease the breathing of tubercolosis patients in a combination of moulded wood and plywood which, Aalto believed, would be warmer and more comfortable than metal. When the Paimio Sanatorium was completed in 1933, the influential critic Siegfried Giedion hailed it as a modernist masterpiece alongside Walter Gropius’ Bauhaus Dessau and Le Corbusier’s League of Nations project. Aalto was still only 35 years old.

George Seurat and Ben. The name of this painting is "Sunday Afternoon on the island of La Grande Jatte" by George Seurat painted in (1859 - 1891). Seurat developed Pointillism, where, rejecting broad brushstrokes of mixed color, he instead applied tiny "points" of pure color to his canvas, relying upon the observer's eye to mix the colors. The result was extraordinary, but the method, painstaking. This scene, with over forty figures and their surroundings, took the artist almost two years to complete, during which he refused to lunch with close friends lest they distract him from his work. Today it remains his best-known masterpiece and a monument to dedication.